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Film, TV & Commercial

Parkour Stunt Performers
for Production

Movement Management represents professional parkour stunt performers with major production credits. Specialising in parkour for TV, parkour for film, and commercial stunt work. Trusted by stunt coordinators and casting directors across the UK and internationally.

For Stunt Coordinators & Casting

What Sets Our
Stunt Athletes Apart

Movement Management athletes are not general performers who happen to do parkour. They are dedicated specialists with years of professional training, precise physical control, and deep experience executing complex movement under production conditions.

Our parkour stunt performers understand the demands of a film set, including repeatability across takes, safe execution around equipment and crew, clear communication with stunt coordinators, and the professionalism to deliver in high-pressure environments on tight schedules. These are the same standards our parkour and freerunning performers for film and TV bring to every booking. Athletes are put forward against a brief by skill set, physical profile and screen experience, with availability confirmed before submission, and at rates that reflect this level of specialist skill, as set out in our parkour performer hiring costs guide.

We provide full comp cards, showreels, and production credits for every athlete. All bookings are handled with full contracts, scheduling support, and on-set coordination from first contact to production wrap. For broader talent options including live events and brand work, see our parkour performers for hire.

Planning a sequence rather than casting one? Our parkour consultancy covers feasibility, safety planning and choreography before a camera rolls, and our video and photo production team can deliver the finished film end to end.

Submit Casting Enquiry
Rachel Gough parkour stunt performer Wicked
Proven Credits

Production Credentials
That Matter

Our athletes have delivered for major studios, broadcasters, and brands worldwide.

01

Feature Films

Parkour stunt performers and movement specialists for action sequences, chase scenes, and dynamic visual work in major feature films. Stunt credits include Wicked: Part 1 (Universal Pictures).

Casting Enquiry
02

Television & Streaming

Experienced parkour stunt performers for UK and international TV drama, action series, and streaming productions. Credits include Channel 4's The Gathering, Netflix's Heart of Stone and BBC Scotland.

Casting Enquiry
03

Commercial & Brand

Parkour athletes for high-performance commercial campaigns requiring precise, repeatable movement on camera. Previous commercial and brand work across the roster includes Adidas, Volvo, Fila, Givenchy, Gymshark, Footasylum and Emporio Armani.

Casting Enquiry
For Stunt Coordinators

How Casting Works

1. Send the brief

Production type, the sequence you are casting for, dates, location, usage and any named athletes. The casting enquiry form captures all of it in one pass.

2. Shortlist within 24 hours

You get a recommendation with comp cards (PDF), showreels and each athlete's production credits, so the shortlist can go straight to your director or coordinator.

3. Contract and coordination

Full contracts, scheduling support and coordination through to wrap. Travel documentation, insurance and production paperwork are confirmed per booking before contracts are signed.

See it in production: stunt performance on Channel 4's The Gathering, and for brand work, the Footasylum campaign case study.

The Speciality

Stunt Work
Our Athletes Cover

Action choreography, technical training and safety expertise, on top of a parkour and movement arts background.

Chase sequences

Rooftop and urban chase work performed under professional stunt coordination, for feature films and streaming productions.

Stunt doubling

Matched by height, build and movement style. Send the actor's profile and we will recommend the closest match on the roster.

Fight and action choreography

Camera-aware action sequencing, plus falls, wall scaling, wire-assisted work and motion capture across the roster.

Screen credits across the roster include Wicked: Part 1 (Universal Pictures), Heart of Stone (Netflix), Dracula (Luc Besson), Exterritorial, Channel 4's The Gathering, and BBC Scotland. Related reading: questions to ask before hiring a stunt performer, the UK stunt register and qualifications explained, and stunt performer day rates in the UK.

For Casting Departments

What SPACT Means,
and Where Parkour Fits

SPACT is the shorthand UK casting departments use for special action: performers cast for a specific physical skill the scene genuinely requires, rather than for dialogue or for a sequence the production has classified as a stunt. A SPACT breakdown names the skill. A skateboarder who can land the trick on cue. A rider who can hold a canter through a mark. A martial artist who can throw a clean sequence at speed and repeat it.

Parkour and freerunning sit squarely in that column. A chase cut through a market. A vault over a barrier in the middle of a walk-and-talk. A wall run in the background of a wide. A rooftop line that has to read as effortless, because the character is meant to do this every day. None of that works if the performer is approximating the movement, and it is obvious on screen when they are.

The distinction that matters on a call sheet is between special action and stunt. Special action is skilled physical performance the production has assessed as sitting within normal performance risk. Stunt-classified action brings a stunt coordinator, a specific risk assessment and different engagement terms. Where the line falls is the production's call, not ours, and the same move can land either side of it depending on height, surface, speed and what else is in frame. That is why we ask you to flag the classification at enquiry stage: it changes who we put forward, what documentation travels with them, and how the booking is papered.

Our roster is built for both columns. Rachel Gough is a world parkour champion with stunt credits on Wicked: Part 1 and Channel 4's The Gathering. Arthur Gledhill-Franks was lead stunt double on The Gathering. Isabel Salazar is a LAMDA-trained actress who also works in stunts, which is the profile a SPACT brief with any performance content usually wants. Lisa Schneider, Lola Roy, Robbie Griffith and Noa Diorgina Man all carry screen credits alongside competition records. Send the breakdown with the skill named and the classification stated, and you will get back athletes who can do that specific thing, with comp cards, showreels and credits attached.

Production FAQs

Casting Parkour Stunt
Performers

New to booking movement talent? Start with our guides: Parkour in Film: How Stunt Performers Bring Action Sequences to Life and Parkour vs Stunt Performer: Which Fits Your Production?.

What makes a parkour athlete suitable for stunt work?

The key qualities are precise spatial control, the ability to replicate movements exactly across multiple takes, physical durability, experience working under direction, and strong on-set awareness. Movement Management athletes bring all of these qualities with verified production credits to support every casting decision.

How do I cast a parkour stunt performer for a film or TV production?

Contact Movement Management with your production details, covering type of sequence, dates, location, and requirements. We work directly with stunt coordinators and casting teams to recommend the right athlete. Full comp cards, showreels, and production credits are provided for every athlete. We respond to all production enquiries within 24 hours.

Do your athletes work as stunt doubles?

Yes. Rachel Gough served as a stunt performer on Wicked: Part 1 and Channel 4's The Gathering. Our athletes are experienced at matching screen performers physically and in movement style, and can execute precise sequences safely under stunt coordinator direction.

Are your parkour stunt performers available for international productions?

Yes. We represent athletes based across the UK, Europe and North America and coordinate international bookings regularly. We confirm travel documentation, insurance and production paperwork for each booking before contracts are signed, and we handle the logistics.

Can your performers stunt-double a specific actor?

Yes. We match by height, build and movement style. Send the actor's profile with your brief and we will come back with the closest matches on the roster, with comp cards and showreels so the shortlist can go straight to your director or coordinator.

Do you provide stunt coordination as well as performers?

We primarily supply performers. Several roster athletes also have experience in movement direction, and our parkour consultancy covers feasibility, safety planning and choreography. For a stunt-classified sequence you will still want your own stunt coordinator. Tell us what the production already has in place and we will scope from there.

Do you provide insurance documentation and risk assessments?

Athletes arrive with their insurance documentation, including public liability cover for their work, and travel documentation, insurance and production paperwork are confirmed per booking before contracts are signed. Producers should note that standard film production insurance commonly excludes stunt work and hazardous activity, so confirm with your broker that the policy covers it. On risk assessment, the athlete contributes their own capabilities, limits and standard controls, but responsibility for a documented assessment sits with the production, venue or event organiser, and it is usually written with a health and safety adviser or stunt coordinator. Full detail in our guide to parkour performance insurance and risk assessment.

What do you need in a casting brief to quote?

Production type, the sequence you are casting for, dates, location, usage, the level of risk involved, the number of rehearsal days you expect, and any named athletes. The casting enquiry form captures all of it in one pass, and you get a shortlist with comp cards, showreels and production credits within 24 hours.

How much lead time do you need for a stunt booking?

Major film and television productions typically book eight to twelve weeks out, independent films six to eight weeks, and broadcast commercials four to six weeks. Fast-tracking to three or four weeks is possible where the movement sequences are simpler. More detail in our guide to booking lead times for movement talent.

Can I book a solo stunt performer or do I need a team?

Either. We supply individual athletes, pairs or full teams. Multi-athlete bookings suit large action sequences and live work, and a group booking is cheaper per head than booking each athlete separately, though not proportionally so. See parkour team or solo performer: which to book.

You May Also Be Looking For

Other Parkour Services

General Parkour Hire

For live events and brand campaigns, see our parkour performers for hire.

Acrobatic Performers

Need visually expressive acrobatics for commercials? Browse our acrobatic performers.

Parkour Consultancy

Shaping a sequence before you cast it? See our parkour consultancy for feasibility and safety planning.

Cast the Right
Parkour Stunt Performer

Submit your production details and we will recommend the right athlete within 24 hours. Full comp cards and showreels provided.